The Process of Change Is Referred to as Learning the Art of Helping Quizlet

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history course or spent fourth dimension in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what nosotros acquire about art history today still centers on white men from Europe and, subsequently, the U.s.a.. In reality, there are so many more than artists of all genders to learn from and appreciate.

Here, we're specifically taking a wait at just some of the women who have had lasting impacts on their art forms. From some of the fine art world's well-nigh iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, however take a hand — in changing the world of fine fine art and how nosotros ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'due south Untitled Film Stills (1977–fourscore). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was function of the Pictures Generation during the 1980s, and is possibly most well known for her series of Untitled Film Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a film of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

Y'all might first think of Yoko Ono equally a musician and activist, but she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".

One of her virtually revered works, Cut Slice, was a operation she commencement staged in Japan; Ono sat on phase in a overnice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on phase and cut away pieces of her clothing. "Fine art is like breathing for me," Ono has said. "If I don't practice it, I start to choke."

Betye Saar

Betye Saar'due south Blackness Girl's Window, 1969 (full and item). Photos Courtesy: Museum of Modernistic Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, function of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If yous can go the viewer to look at a work of art, then you might be able to requite them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is all-time known for exploring themes similar death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as i of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she's also known for her hyper-real sculptures, polka dots, installations, and then much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'due south National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oftentimes doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald's piece of work — and her signature grayscale skin tones — as she was the first Blackness woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Red With Xanthous in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known every bit the female parent of American modernism, y'all likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, simply perchance, the skyscrapers of New York City. In the 1920s, she was the start woman painter to gain the respect of the New York art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gold Panthera leo for best creative person in Okwui Enwezor's biennial exhibition All the Globe'south Futures, role of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her work to question society, identity, and racial politics by demanding the audience to confront truths most themselves. She ofttimes challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'southward poses in front of a photo in her exhibition Our House Is on Burn down at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, pic, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works frequently create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that act as meditations on diverse concepts, such as trauma, knowledge, and promise. One of her more notable works, I Smell Y'all On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'due south art addresses identity and history — and, in detail, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is amend known for her installation art and sculptures — like the spider to a higher place — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the chief styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Footling Taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. Equally exemplified in her iconic work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United states of america.

Augusta Barbarous

Augusta Cruel with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Eatables

Augusta Barbarous was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, frequently of Blackness folks, Roughshod founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the kickoff Blackness American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modernistic Fine art (MoMA)

Known for her provocative operation art practices, Carolee Schneemann is considered the progenitor of "body art". (Just wait up her most famous piece of work, Interior Whorl, and you'll see what nosotros mean.) She used her torso to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin'due south Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In add-on to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to y'all? Well, that'due south the idea! Elaine Sturtevant, who went by her terminal proper noun professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-correct copies of big-proper noun artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Still, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov eight, 2007 in New York Metropolis. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — but in a way that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Withal from Sin Sol (No Lord's day) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such equally racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Fine art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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